In Is This How You See Me?, Maggie and Hopey get the band back together — literally. Now middle-aged, they leave their significant others at home and take a weekend road trip to reluctantly attend a punk rock reunion in their old neighborhood. The present is masterfully threaded with a flashback set in 1979, during the very formative stages in Maggie and Hopey’s lifelong friendship, as the perceived invincibility of youth is expertly juxtaposed against all of the love, heartbreak, and self-awareness that comes with lives actually lived. The result is no sentimental victory lap, however — this is one of the great writers of literary fiction at the peak of his powers, continuing to scale new heights as an artist.

“One of the most talented artists our polyglot culture has produced.” — The New York Times Book Review
Hernandez’s acclaimed ongoing comics series Love and Rockets has entertained readers for over 35 years, and his beloved characters — Maggie, Hopey, Ray, Doyle, Daffy, Mike Tran, and so many others — have become fully realized literary creations. Is This How You See Me? collects Hernandez’s latest interconnected vignettes, serialized over the past four years in Love and Rockets, into a long-form masterpiece for the first time.
Jaime will be in conversation with Chicago-based artist Anya Davidson, author of Band For Life, School Spirits & more.
For more info:
Cohen(at)fantagraphics(dot)com
Here’s the invite for this event on Facebook.
Monday, March 11th, 7pm – Free Event


In November, we’re putting zines that explore STEM (science, technology, engineering, and mathematics) under the microscope! This month at our book club-style event for people who read zines, we’ll be talking about our favorite titles that illuminate, debate, and celebrate the ways in which the world works. Zine newbies and longtime enthusiasts alike are welcome to join us for a fun discussion and snacks.
CHIPRC’s Zine Zine Club: Mysterious and Spooky Edition, at Quimby’s!



Having made his name in the late 1980s as a member of the indie band Galaxie 500, Damon Krukowski has watched cultural life lurch from analog to digital. And as an artist who has weathered the transition, he has challenging, urgent questions for both creators and consumers about what we have thrown away in the process: Are our devices leaving us lost in our own headspace even as they pinpoint our location? Does the long reach of digital communication come at the sacrifice of our ability to gauge social distance? Do streaming media discourage us from listening closely? Are we hearing each other fully in this new environment? Damon Krukoswksi takes this on in 


