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Category: new book release event
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Zine Club Chicago: An Encyclopedia of Radical Helping Collective Reading and Zinemaking Workshop, March 15th!
Zine Club Chicago: An Encyclopedia of Radical Helping Collective Reading and Zinemaking Workshop
3 p.m. Saturday, March 15, 2025
Quimby’s Bookstore, 1854 W. North Ave.
Free!This month, Zine Club Chicago is thrilled to welcome our friends at Thick Press for a celebration of their new book, An Encyclopedia of Radical Helping!
From “abundance” to “zinemaking,” An Encyclopedia of Radical Helping invites the reader to wander through a collection of interconnected entries on helping and healing by over 200 contributors from the worlds of social work and family therapy; art and design; body work and witchery; organizing and education; and more. Privileging co-construction over diagnosis, wisdom over evidence, collective healing over individual curejuyet, always blurring categories and embracing contradictions — this world-making collection reveals a pluriverse of helping practices grounded in love and freedom.
Please join us for Zine Club Chicago: An Encyclopedia of Radical Helping Collective Reading and Zinemaking Workshop, 3 p.m. Saturday, March 15, 2025 right here at our shop, 1854 W. North Ave. in Wicker Park. Free!
Erin Segal and Chris Hoff, two of the editors of An Encyclopedia of Radical Helping, will be joining us, and contributors to the book will read selections from their entries. Our readers include Zine Club Chicago producer Cynthia E. Hanifin, Neil Horsky, and Noriko Martinez.
Zine Club Chicago also be hosting a zinemaking workshop, and you’re all invited to make a mini zine about your own radical helping and collective care practices! No prior zinemaking experience necessary.
All zinemaking materials will be provided. Please note that event seating is limited, and will be first-come, first-served. Zine Club Chicago is a mask-supportive environment; masks will be provided if you’d like to wear one.
About Thick Press: Care-givers, justice-seekers, and community-builders often find ourselves in the thick of human experience. Yet so many of the texts we produce rely on the thin logic of Western medicine and mainstream social science! What might happen if we grounded more texts in the arts? In critical theories? In spirituality? In lived experience? What might happen if we paid more attention to medium, form, and design?
Enter Thick Press, a collaboration between a social worker (Erin Segal) and a designer (Julie Cho).
We aspire to a practice that is loving, reflexive, playful, and collaborative. We worry about reproducing oppressive structures, but we’re not really that interested in critique. Above all, we want to make unusual books with others.
Inspired by artists’ books and zines, Thick Press publishes books that cross genres and disciplines. All our books relate to working or living in the thick of human experience.
Zine newbies and longtime enthusiasts alike are always welcome at Zine Club Chicago. This free event series is produced by Cynthia E. Hanifin and sponsored by Quimby’s Bookstore. Anna Jo Beck is the creative force behind our visuals, and she also made the Zine Club Chicago Shout-Outs site, where folks can peruse and recommend zines we’ve discussed at our events.
Facebook event is here. More info on the Zine Club Chicago social media channels: @zineclubchicago
Image description: A colorful infographic flyer designed by Julie Cho that features the cover of the book An Encyclopedia of Radical Helping, with text that reads: “An Encyclopedia of Radical Helping Collective Reading and Zinemaking Workshop; Zine Club Chicago at Quimby’s Bookstore, 1854 W. North Ave., Chicago IL 60622; Saturday, March 15, 3pm CST; For more information visit quimbys.com”
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Quimby's Offsite: Emil Ferris Discusses My Favorite Thing Is Monsters Book Two at Harold Washington Library Center, June 5th

Emil Ferris at the Harold Washington Library Center
400 S. State Street, Cindy Pritzker Auditorium, Lower Level
Wednesday, June 5
6pm–7pmNot at Quimby’s.

The Chicago Public Library and Quimby’s welcome Emil Ferris to the Harold Washington Library Center to discuss her highly anticipated new book, My Favorite Thing Is Monsters Book Two. Emil Ferris will be in conversation with painter Kurt Devine.
Set against the tumultuous political backdrop of late ’60s Chicago, My Favorite Thing Is Monsters Book Two is the eagerly awaited conclusion to the most acclaimed graphic novels of the past decade. Presented as the fictional graphic diary of 10-year-old Karen Reyes as she tries to solve the murder of her beloved and enigmatic upstairs neighbor, Anka Silverberg, a holocaust survivor, while the interconnected stories of those around her unfold.
In Book Two, dark mysteries past and present continue to abound in the tumultuous and violent Chicago summer of 1968. Young Karen attends the Yippie-organized Festival of Life in Grant Park and finds herself swept up in a police stomping. Privately, she continues to investigate Anka’s recent death and discovers one last cassette tape that sheds light upon Anka’s heroic activities in Nazi Germany. She wrestles with her own sexual identity, the death of her mother, and the secrets she suspects her brother Deez of hiding. Ferris’s exhilarating cast of characters experience revelations and epiphanies that both resolve and deepen the mysteries visited upon them eariler. Visually, the story is told in Ferris’ inimitable style that breathtakingly and seamlessly combines panel-to-panel storytelling and cartoon montages, filled with B-movie horror and pulp monster mag iconography.
My Favorite Thing Is Monsters Book Two is part of the My Favorite Thing is Monsters series.
Emil Ferris grew up in Chicago during the turbulent 1960s, where she still lives, and is consequently a devotee of all things monstrous and horrific. She has an MFA in Creative Writing from the School of the Art Institute of Chicago. Find her at on Patreon here – on IG @emilferris on Twitter @Emilferrisdraws

How to Attend – In Person: Doors to the Auditorium open at 5:30 p.m., and seating is first come, first served (350 capacity). Quimby’s will be selling Emil’s book, and she’ll be available to autograph books at the conclusion of the program.
How to Attend – Virtual: This event will also take place live on CPL’s YouTube channel and CPL’s Facebook page. You’ll be able to ask questions during the event as well! Can’t make it to the live stream? CPL will archive the video on YouTube to watch later.
Accessibility: Need sign language interpretation or other accessibility assistance for this event? Please call (312) 747-8184 or email access@chipublib.org to request accommodations. Requests must be made at least 14 business days before the event.
More info at the CPL Event Listing here.
Facebook event listing here.
Note this event is NOT at Quimby’s!

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Bianca Xunise Celebrates PUNK ROCK KARAOKE, In Conversation with Jessica Hopper, April 27th

Quimby’s welcomes celebrates Independent Bookstore Day with Chicago-based artist Bianca Xunise on Saturday, April 27th at 3:30pm to celebrate the release of their book PUNK ROCK KARAOKE. Xunise will be joined in conversation by director, producer and author Jessica Hopper.

PUNK ROCK KARAOKE is the explosive new YA graphic novel from Ignatz Award-winning and nationally syndicated cartoonist Bianca Xunise (Six Chix, Be Gay Do Comics), following three friends and their Garage Punk band on their quest to make it big in Southside Chicago’s underground music scene. Drawn from Xunise’s passion for their city and extensive Punk knowledge, PUNK ROCK KARAOKE explores questions about authenticity, the importance of community, and what it means to succeed on your own terms. Complete with a zine-style guide to the real-life Punk icons referenced throughout the story, the book is sure to be a hit with listeners of The Linda Lindas and viewers of Netflix’s Scott Pilgrim Takes Off.
Asked about their inspirations for the project, Xunise said, “PUNK ROCK KARAOKE is a love letter to the diverse and rambunctious underground scene of the DIY music community. I hope that readers fall in love with the same community that allowed me to march to the beat of my own drum and are inspired to create spaces for each other in their own backyards.”
In PUNK ROCK KARAOKE, School is out for summer and Ariel Grace Jones is determined to make it one for the books! Together with their bestie bandmates, Michele and Gael, Ariel believes they’re destined to break into the music industry by singing lead in their garage punk band, Baby Hares. But before they can officially get into the groove, the realities of post grad life start to weigh on this crew of misfits. Ari begins to worry that it’s time to pull the plug on their dreams of making it big.
Just when all hope feels lost, a fellow punk and local icon takes an interest in their talent. It seems like he might be the only one Ariel can rely on as frustrations between bandmates reach at an all-time high, but is he really all he seems? And will Ariel and Michele’s friendship survive the journey?
“Incredibly grounded in its neighborhood and scene, this is a great ride from start to finish.” -Booklist
“A vibrant, inclusive, feminist, punk-rock homage, guide, and coming-of-age story” -Kirkus
“Stole my heart from the first page to the last. Endlessly funny and sincere.” -Tillie Walden, Eisner & Ignatz Award-winning cartoonist

Bianca Xunise is a cartoonist based out of Chicago, Illinois. Their work primarily focuses on the plight, joy, and daily struggles of misfits within the black community. In 2017 Xunise earned an Ignatz for Promising New Talent for their comic Say Her Name, an autobiographical story of police brutality and social justice. In 2020 Xunise earned their second Ignatz for their contribution to Be Gay, Do Comics published by IDW. Xunise has collaborated with Vogue, The Washington Post, The Nib, and Believer Magazine. They are also a contributor to the book How We Fight Supremacy: A Field Guide to Black Resistance along with Ta-Nehisi Coates, Tarana Burk, and Harry Belafonte. Bianca became the first nationally syndicated non-binary cartoonist when they joined the comic strip Six Chix in 2020 as their first black creator. Bianca is also the April Quimby’s artist-in-residence! CHECK OUT THE AMAZING BANNERS THEY DESIGNED IN OUR WINDOW! More info at https://linktr.ee/biancaxunise

Jessica Hopper is a director, producer and author based in Chicago. Most recently, Hopper directed and executive produced the upcoming four-part docuseries Women Who Rock, releasing summer of 2022 on Epix and Sky. She has written for Rolling Stone, The New York Times Magazine, the Chicago Reader, Punk Planet and more. She ins the author of The Girls Guide To Rocking, The First Collection of Criticism By A Living Female Rock Critic, Night Moves. She is series editor of The American Music Series at the University of Texas Press. More info at jessicahopper.org.

As always, Quimby’s events are free. Want the Facebook invite for this event? Click here.
This event is also on Independent Bookstore Day 2024! Quimby’s is a stop on the Chicagoland Bookstore Crawl. Get info about that here. Stay posted for more #IBD24 surprises!
Flyer at the tippy top for event by Caroline Cash.
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Beth Hetland Celebrates Tender, In Conversation With Kyle O'Connell, March 30th

Quimby’s welcomes Chicago cartoonist and educator Beth Hetland, in conversation with Kyle O’Connell for what’s sure to be an enlightening discussion on Saturday, March 30th at 3pm.
Tender is a psychological thriller about a woman obsessed with her vision for a picture-perfect, curated life. Carolanne wanted a perfect wedding, a perfect husband, a perfect family. She carefully performs her own roles (gal pal, bestie, girlfriend, wife, and expectant mother) and in trying to enact agency over her life, sacrifices it completely. Her desire to control the uncontrollable ultimately becomes her undoing. When things don’t go her way, she exerts dominance over the one thing she does have total control over: her body; until that “betrays” her. After suffering a horrible loss, Carolanne spirals into a literal, all-consuming delusion that will engross comics readers and horror aficionados alike. Hetland’s graphic novel debut is a brilliant psychological thriller that tears down the wall of a genre — body horror — so often identified with male creators. Heady and visceral, Tender uses horrific tropes to confront women’s societal expectations of self-sacrifice despite those traditional roles often coming at the expense of female sexuality and empowerment.
“Hetland gets under the skin in her nimble and unsettling graphic novel debut. … [Her] ability to maintain a sinister atmosphere in scenes both mundane and monstrous will keep horror fans turning the pages.” — Publishers Weekly
“A strong debut with powerful visual storytelling, Tender digs into the existential dread of getting everything that you thought you wanted and still not being satisfied.” — Diabolique Magazine
“A brutal critique of gender roles, social media, cultural pressures & expectations, Tender is a triumph.” — Rob Clough – High Low Comics
“An incredibly paced horror story that’s equal parts sardonic, gruesome, and tender. A Jeanne Dielman for the Instagram generation.” — Katie Skelly
Beth Hetland is a Professor, Adj. at The School of the Art Institute of Chicago where she teaches several comics and comics adjacent courses. She holds an MFA (2011) from The Center for Cartoon Studies and BFA (2009) from The School of the Art Institute of Chicago. Find her on IG here: @bethhetland and at all sort of other links here. Kyle O’Connell can be found at kyle-oconnell.com.

As always, this event at Quimby’s is free.
Want a link to the Facebook event invite for this event? Here ya go.
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M.S. Harkness Celebrates Time Under Tension: a Graphic Memoir at Quimby's Bookstore With Evan Salazar & Caroline Cash, Oct 6th!
M.S. Harkness Celebrates Time Under Tension: a Graphic Memoir
at Quimby’s Bookstore
With Evan Salazar & Caroline Cash
Fri, Oct 6th, 7pm
Free!Time Under Tension is a smart, funny, no bullshit work of autobiography, a story of searching for dignity in a world that rarely affords it and taking agency of adulthood in the face of so many easy excuses not to.
M.S. Harkness is graduating from art school in Minneapolis and facing a crossroads in life. She has a strained relationship with her mother, a sexually abusive father on parole, and is in love with an aspiring MMA fighter who mostly hangs out with her to get high and already has a girlfriend and career prospects with a fight promotion. An art career feels untenable — as one professor tells her, “Don’t expect to get by on this fucked-up broke girl shit.” She decides to get a personal trainer’s certificate — it seems like a feasible and sensible career option — but continues to dabble as a sex worker and weed dealer because the money is too irresistible. With idle hands due to no classes or full-time work, M.S. has ample time to aimlessly fuck around — or, to get her shit together. “I want to be better, I want to be stable and solid. I don’t want to keep aimlessly shifting between untenable situations.”
Harkness’s bold, precise black-and-white cartooning and eye for storytelling invites the reader in, while her sharp wit and naturalist ear as a writer takes it away from there. Never didactic, always real, Time Under Tension is a spirited and assured work of graphic memoir.
M.S. Harkness was born in Oklahoma and lives in Columbus, Ohio. She was featured as an up and coming cartoonist at the Angouleme Comics Festival in France, and was a recipient of the Minnesota State Arts Board Visual Artist Grant. Harkness occasionally teaches comics at Columbus College of Art & Design, in addition to working as a personal trainer. This is her third graphic novel, following Tinderella and Desperate Pleasures (both from Uncivilized Books). Find M.S. Harkness on IG at @m.s.harkness.
Joining the celebration of Time Under Tension are artists Evan Salazar and Caroline Cash.
Evan Salazar is a cartoonist originally from Tucson, Arizona. His main project is the self-published comic book Rodeo, which explores the secret passageways that connect memory, imagination, and family. Salazar has been published internationally, was the recipient of a 2020 MICE Mini-grant, participated in the Hocking Hills Cartoonist Retreat, founded the Tucson Comix Club, and has presented his work at comics festivals across the United States. He currently lives in Arizona with his dog, Margie. For more info see rodeocomics.com.
Ignatz award winning cartoonist Caroline Cash, known for such titles as Girl In the World and Pee Pee Poo Poo, used to work at Quimby’s. She can be found on IG at cash_browns.
More about Time Under Tension:
See M.S. Harkness on tour!
Want the Facebook Event Invite for this Quimby’s event? Go here!
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Quimby's Presents Joshua James Amberson’s Staring Contest Book Release + Antiquated Future Showcase Online on YouTube, June 14th
Staring Contest: Essays on Eyes (Perfect Day Publishing) is the debut full-length essay collection from zinester, arts-and-culture writer, and founder of the Antiquated Future zine distro and record label, Joshua James Amberson. Deftly weaving together such disparate subjects as Bette Davis’s career, the daily challenges of eye contact, and his own decade-long saga of periodic eye injections, Amberson digs deeply into the physical and existential consequences of living with such uncertainty. Staring Contest is wise, generous, and—given the subject matter—surprisingly funny.
This event will also be a showcase of Chicago-based writers carried by Antiquated Future, including Anna Jo Beck (Biff Boff Bam Sock), Jim Joyce (Let it Sink), and Liz Mason (Caboose). It will air on the Quimby’s YouTube channel so no RSVP is necessary.
“Staring Contest is a jewel box of an essay collection: It takes a quotidian facet of experience—the human gaze—and considers it at length, revealing an overlooked world of ideas and resonances.” –Jordan Kisner, author of Thin Places: Essays from In Between
Joshua James Amberson is the author of the young-adult novel How to Forget Almost Everything, as well as a series of chapbooks on Two Plum Press, and the long-running Basic Paper Airplane zine series. His words have appeared in The Los Angeles Review of Books, Vol. 1 Brooklyn, Electric Literature, The Rumpus, and Tin House, among others. joshuajamesamberson.com
About the other readers:
Anna Jo Beck has been making zines for over a decade, writing and designing how-to zines on skills like personal finance, habit tracking, and health insurance, as well as a film recommendation series called Mini Movie Marathon. She also runs Zine-A-Month, a zine by mail subscription. More info on her and her various zine projects can be found at annajobeck.com
Jim Joyce writes perzines like Let It Sink and others. A gentleman, he likes keeping his hands as sof’ as a frog’s belly.
Liz Mason publishes Cul-de-sac, Caboose, and Awesome Things. Her work has been in places like Broken Pencil, Punk Planet, The Zine Yearbook and the back of her friend’s toilets. She’s worked at Quimby’s Bookstore since 2001 in a state of perpetual arrested development. Find her at LizMasonIsAwesome.com + Etsy at LizMasonZines + @caboosezine at all the places.
For more info:
Buy Staring Contest at Quimby’s
Wednesday, June 14th, 7:30pm CT
Online at youtube.com/quimbysbookstore
Want the Facebook invite to add it to your calendar? It’s here.
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Body Horror: Capitalism, Fear, Misogyny, Jokes, Updated Edition, Instagram Live Online Event with Anne Elizabeth Moore, May 17th
Quimby’s welcomes back Anne Elizabeth Moore on May 17th at 7:30pm CT for an exclusive online live event on the Quimby’s Instagram to celebrate the re-release of her award nominated collection of essays Body Horror: Capitalism, Fear, Misogyny, Jokes.
Long out of print, Body Horror is a fascinating, insightful portrait of the gore that encapsulates contemporary American politics. This new edition features an updated introduction and new essays, as well as illustrations by Xander Marro, who designed the most recent Quimby’s bookmark in celebration of the rerelease of this book.
Moore will read from the book, give a tour of her studio, followed by a Q&A.
Whether for entertainment, under the guise of medicine, or to propel consumerism, heinous acts are perpetrated daily on women’s bodies. In Body Horror: Capitalism, Fear, Misogyny, Jokes, award-winning journalist Anne Elizabeth Moore catalogs the global toll of capitalism on our physical autonomy. Weaving together unflinching research and surprising humor, these essays range from investigative, probing the Cambodian garment industry, the history of menstrual products, or the gender biases of patent law—to uncomfortably intimate. Informed by her own navigation of several autoimmune diagnoses, Moore examines what it takes to seek care and community in the increasingly complicated, problematic, and disinterested US healthcare system.
A Lambda Literary Award finalist and a Chicago Review of Books Nonfiction Award shortlist title, Body Horror is “sharp, shocking, and darkly funny. . . . Brainy and historically informed, this collection is less a rallying cry or a bitter diatribe than a series of irreverent and ruthlessly accurate jabs at a culture that is slowly devouring us” (Publishers Weekly, starred review). Featuring an updated introduction and new essays, as well as illustrations by Xander Marro, this new edition of Body Horror is a fascinating, insightful portrait of the gore that encapsulates contemporary American politics.
We are over the moooooooon about these new bookmarks Xander Marro made for us, celebrating the book!
Anne Elizabeth Moore was born in Winner, SD. She is the author of Unmarketable (2007), the Eisner Award–winning Sweet Little Cunt (2018), Gentrifier: A Memoir (2021), which was an NPR Best Book of the Year, and others. She is the founding editor of Houghton Mifflin’s Best American Comics and the former editor of Punk Planet, The Comics Journal, and the Chicago Reader. She has received support from the National Endowment for the Arts, the New York State Council on the Arts, and the Ragdale Foundation. She is a Fulbright Senior Scholar, has taught in the Visual Critical Studies department at the School of the Art Institute of Chicago, and was the 2019 Mackey Chair of Creative Writing at Beloit College. She lives in the Catskills with her ineffective feline personal assistants, Taku and Captain America. Her podcast My Inevitable Murder is available through Patreon and other places like Spotify and Apple Podcasts. Find her on IG at @aem.oore.
For more info, see annelizabethmoore.com.
Anne Elizabeth Moore Body Horror Event Online
Wednesday, May 17h, 7:30pm CT
at
https://www.instagram.com/quimbysbookstore
Order Body Horror here.
Facebook Event Link here.Afraid your online question during the event will get lost in the scrolling internet ether? Email info(at)quimbys(dot)com in advance and let us know what you’d like to ask Ms. Moore.
View this post on InstagramWhat Critics Are Saying About Body Horror:
“An exploration of misogyny unlike any I’ve ever read, this reissued and updated volume brings us again into the excellence of Anne Elizabeth Moore’s research and ability as a historian. She writes with wit, wry humor, and the instincts of a detective-novelist-cum-muckraking-journalist. In Body Horror, Moore brings us stories that will never leave us alone again.” —Riva Lehrer, artist and author of Golem Girl: A Memoir
“I laughed, I cried, I puked, I cheered. This visceral collection is one of the best things I’ve ever read—an essential, humane book.” —Daniel Kraus, coauthor of The Living Dead
“Body Horror is a strangely comforting book to read for its decidedly feminist, anti-capitalist, and anti-consumerist content. It is indeed a tiny bit horrific but written with a good dose of humor, and shows that, no, you are not alone in this cruel world.” —Julie Doucet, cartoonist and author of Time Zone J
“With lacerating wit and furious precision, Anne Elizabeth Moore connects the dots between labor, medicine, misogyny, and cultural production to reveal the scars and sores wrought by Western capitalism. In the six years since Body Horror was originally published, Moore’s already-prescient writing now reflects the urgency, both personal and political, of upending the tidy narratives of a body politic that hurt more than they help. It’s a necessary evisceration of institutions and imperatives that asks us to do something almost unthinkable: imagine better for ourselves and our communities.” —Andi Zeisler, author of We Were Feminists Once: From Riot Grrrl to CoverGirl®, the Buying and Selling of a Political Movement
“Sharp, shocking, and darkly funny, the essays in [Body Horror] … expose the twisted logic at the core of Western capitalism and our stunted understanding of both its violence and the illnesses it breeds […] Brainy and historically informed, this collection is less a rallying cry or a bitter diatribe than a series of irreverent and ruthlessly accurate jabs at a culture that is slowly devouring us.”
?Publishers Weekly, starred review“Probing her own experiences with disease and health care, Anne Elizabeth Moore offers scalpel-sharp insight into the ways women’s bodies are subject to unspeakable horrors under capitalism.” ?Chicago Tribune
“As the subtitle promises, this essay collection by award-winning journalist and Fulbright scholar Anne Elizabeth Moore tackles heavy, complicated issues with biting humor and aplomb, dissecting the ways patriarchal capitalistic trauma plays out on women’s bodies and health, both mental and physical. From her keen observations on the 2010 Cambodian garment worker strike and its resulting massacre to her vulnerable, often hilarious insights on the maze of current American healthcare and her own varied ailments, Moore writes with spark and verve.” ?Lydia Melby, Texas Book Festival
“Anne Elizabeth Moore is the feminist killjoy I want at every party—armed and ready to calmly, often humorously, eviscerate any casual misogyny in the room. Compiling her years of experience as a journalist, this collection showcases Moore’s staggering body of knowledge. At the core of several of these essays is Moore’s own body and its betrayals in the form of autoimmune disorders and her newly accepted label of disability. Admirably, Moore never lingers too long on her own experience, but instead uses it to reach to different corners of the globe and different eras in American history to diagnose the malignancy of misogyny on bodies beyond her own. Anne Elizabeth Moore is masterful at illustrating how the ills of capitalism have become so insidious that they are now coming from inside—our houses, our heads, our very cells.” —Sarah Hollenbeck, Women & Children First Bookstore
“At turns chummy, cerebral, and incendiary, Body Horror holds no punches. This motley crew of essays form an astute and uproarious exploration of the insidious misogyny and ableism bred into contemporary culture. You’ll laugh, you’ll cry, and you might even rage-vomit. A winner.” —Katharine Solheim, Pilsen Community Books
“Moore also holds the serious alongside the hilarious, and the clarity and intelligence of her prose illuminates both. Original, funny, and brilliant, this book outmaneuvers, outshines, and will outlive so many memoirs that seek to cover the same tenuous ground.” —Kerri Arsenault, Orion Magazine
“Moore infuses this memoir with keenly researched insights about the historical forces that created Detroit’s (and America’s) housing crisis, creating a heartfelt, funny, thought-provoking meditation on the multifaceted fallacy of the American Dream.” —Booklist (starred review)“Eye-opening . . . A unique, lovely meditation on the power of community.” —Kirkus Reviews
“Incisive . . . A trenchant meditation on how communities come together, and the forces that drive them apart.” —Publishers Weekly
“Both comedic and fierce . . . Moore’s experiences will draw in readers interested in an intimate perspective on housing issues or life in recent Detroit. She provides thoughtful perspective on community, capitalism, and making art in difficult times.” —Library Journal


























