Category: readings

  • Georgia Webber Reads From Dumb: Living Without a Voice 5/31

    Toronto-based cartoonist Georgia Webber’s new book, Dumb (Fantagraphics Books), Part memoir, part medical cautionary tale, Dumb tells the story of how the book’s author copes with the everyday challenges that come with voicelessness. Webber adroitly uses the comics medium to convey the practical hurdles she faced as well as the fear and dread that accompanied her increasingly lonely journey to regain her life. Her raw cartooning style, occasionally devolving into chaotic scribbles, splotches of ink, and overlapping montages, perfectly captures her frustration and anxiety. But her ordeal ultimately becomes a hopeful story. Throughout, she learns to lean on the support of her close friends, finds self-expression in creating comics, and comes to understand and appreciate how deeply her voice and identity are intertwined.

    “Webber wields the full power of the comics medium to address the life-changing catastrophe of being forced into silence.”

    Broken Frontier

    Georgia Webber is a cartoonist living in Toronto, where she is a freelance comics in addition to editing the comics section of carte blanche. She is best known for Dumb, her autobiographical comics series about living with a vocal disability.

    For more info:

    Facebook Event invite.

    fantagraphics.com/dumb

    Quimazon

    Media inquiries to: cohen@fantagraphics.com

    Thursday, May 31st 7pm – Free Event

  • Justin O'Brien Reads From Chicago Yippie! '68

    Justin O’Brien’s new book Chicago Yippie! ’68 (Garret Room Books) is a true chronicle of his experiences during the week of the 1968 Chicago Democratic Convention. What promised to be a music festival and protest against the war in Vietnam turned into a “police riot,” as deemed by the official investigation report, Rights in Conflict. This historic event, which celebrates its 50th anniversary this year, has relevant echoes in the protests of today. Even other participants have been amazed by this detailed description of events. O’Brien’s gripping narrative is interwoven with additional eyewitness accounts and includes more than 150 color and black and white photos—most of them never before published, and three original maps help the reader pinpoint the action. Handbills, posters, newspapers, political buttons, and other paraphernalia—all from the author’s collection—provide fascinating visual references and offer graphic evidence of this historic Chicago moment.

    “Justin O’Brien seemingly was ever-present during 1968’s Chicago Convention Week. His lively recollections from the streets and the parks resurrect a polarized time of counterculture protest and potential.”
    —Abe Peck, Professor Emeritus in Service, Northwestern University;
    Author, Uncovering the Sixties: The Life and Times of the Underground Press

    “There is no book more loyal to the events that occurred over four August days in Chicago in 1968 than Justin O’Brien’s riveting Chicago Yippie! ’68. With his lucid, engaging prose, O’Brien effortlessly unwinds the various discordant threads that were so tightly woven into the fabric of the anti-war movements that defined the 1960s. Chicago Yippie! ’68 will take you back to a place that time may have muted, but that Mr. O’Brien has never forgotten.”
    —Pat Owens

     

    With more than 400 by-lines on a variety of subjects, Justin O’Brien has written extensively about blues music over a forty-year period, and for several decades has been associated with Living Blues magazine of the University of Mississippi. His work has also appeared in Juke Blues, Sing Out!, UIC Alumni News, Chicago Parent, Digital Chicago, Southern Graphics, and other publications. He has contributed to the Encyclopedia of the Blues (Routledge Press, 2005), Armitage Avenue Transcendentalists (Charles Kerr, 2009), and Base Paths: The Best of the Minneapolis Review of Baseball (Wm. Brown, 1991), to which, coincidentally, former Senator Eugene McCarthy, the “peace candidate” of 1968, wrote a foreword.

    Friday, March 23, 7 p.m. – Free Event

    For more info: garretroom.com

    Facebook invite for this event here!

     

  • Zizobotchi Rises at Quimby's: Selected Readings from Volume 2 on Friday, March 2nd

    Join us for a night of selected readings from Zizobotchi Papers: volume 2, fall, 2017.

    Zizobotchi Papers is a literary journal dedicated to the novella. Think double feature, with a paperback spine instead of a marquee.

    Jeff Phillips will read from his latest novella, God’s Least Likely to Succeed, about the derailing of a secret agent’s first day on the job by an ancient cult’s infiltration of their operation.

    Erin Makowski will read from Dan MacRae’s latest novella, The Dollmaker’s Grin, where an altercation changes a shuttle bus driver’s life, for better, and for much much worse.

    Copies of the book will be for sale for $13.

    Find out more about Zizobotchi Papers on the web at Zizobotchi.com

    Jeff Phillips is a washed up varsity cross country skier and storefront theatre method actor. For two years he was co-host of The Liquid Burning, an apocalypse themed reading series, and for just shy of three years, he co-hosted the Chicago reading series Pungent Parlour. His short fiction has appeared in Seeding Meat, This Zine Will Change Your Life, Metazen, Chicago Literati, and Literary Orphans. He is the co-founder of Zizobotchi Papers, a literary journal dedicated to the novella and a regular contributor of short stories and essays at the site Drinkers With Writing Problems. You can find him on Twitter as @TheIglooOven or at theotherauthorjeffphillips.com

    Erin Makowski has been acting and singing since her childhood. Her first production was as Gretel in ‘The Sound of Music’. Most of her younger years were spent in the Gilbert and Sullivan Company of El Paso going from the high seas in ‘The Pirates of Penzance’ to a little maid in school in Mikado. After her early schooling in the theater Erin received a Bachelor of Arts from Columbia College right here in Chicago. Erin has worked with many companies in town, played extras on TV and sung her heart out for Cabaret audiences.

    Fri, March 2nd, 7pm – Free Event

    Click here to see the Facebook invite for this event.

  • Singer-Songwriter-Guitarist and Author Phil Circle Launches His New Book The Outback Musician's Survival Guide 10/19

    In Phil Circle’s new book The Outback Musician’s Survival Guide (Guilt By Association), he uses his 30+ years as an independent musician to shed some light on the real world of music for 99% of American musicians. Through a series of tales both whimsical and dark, reflections on the craft and the business, and admissions of his own faults, he brings a human face to a seemingly glamorous world. You’re likely to find that some of what you’ve heard about being a musician is sadly or hysterically true, and that other widely held beliefs are little more than hot air.

    “Towards the end of the book, Phil says, “I don’t have some profound message.” In fact, by sharing his humanity and his failings as well as his high points, he has created a profound message. It is often in mere survival that we create greatness, although we ourselves don’t know it at the time. The touch of human grief amidst all of the adrenaline pumping adventure makes this book something of a celebration of what it means to be human.” -Sarah Jane Clarke, Beat Media, Oxford, UK

    Phil Circle has written, recorded and produced eight albums of his own music and two albums of cover songs, one featuring almost entirely music by Chicago songwriters. As a writer, Phil’s work has appeared in articles for various music zines and other publications over the years, including Chicago Music Guide, Pro-Am Guide and a report on the industry for NARAS.

    For more info: www.philcirclemusic.com @philcircle

    Here’s the Facebook invite for this event!

    Thursday, October 19th, 7pm – Free Event

  • Coco Picard presents "Autobiography with Stones" from The Chronicles of Fortune 9/22

    On Friday, September 22nd at 7pm, Coco Picard presents “Autobiography with Stones” a diagrammed artist talk about rocks, foreign encounters, and possible futures. This performative lecture is based on a dream Picard had in which the protagonist of her graphic novel, The Chronicles of Fortune (Radiator Comics, 2017), is hired by the government to psychoanalyze non-human kinds in a post-apocalyptic world. Picard explores the potential of this prospective narrative in relation to famous rocks she has encountered and Dr. Rock, her exhibition at Franklin Gallery where visitors were invited to tell their troubles to a stone. Following the lecture, Picard will sign copies of her graphic novel.

    Originally published as a series of minicomics, The Chronicles of Fortune is a quirky and idiosyncratic adventure of Fortuna, the greatest superhero who could do anything to improve the world (and her alter-ego, Edith-May) but is tragically stricken with ennui, as they learn to cope with loss and recruit a team of friends along the way. At once charming, sad, funny, poignant, and bizarre, The Chronicles of Fortune includes a temperamental stove, a nosy mountain, a goofy crocodile, a loner moth, and a singing goldfish as they lead Fortuna on her greatest adventure.

    Coco Picard is an artist, writer and curator based out of Chicago where she founded The Green Lantern Press and co-founded Sector 2337. Her critical writing appears under the name Caroline Picard in Art21, Artforum, Artslant, and Hyperallergic. Astrophil Press recently published her long-form cat essay, The Strangers Among Us and forthcoming novel, TSK, is due out from Goldwake Press in 2019.  cocopicard.com 

    The Chronicles of Fortune is the first book published by Radiator Comics, a comics distributor run by former Quimby’s employee Neil Brideau, also a founding member of Chicago Zine Fest and CAKE [the Chicago Alternative Comics Expo].  radiatorcomics.com

    Praise for The Chronicles of Fortune

    “In the guise of a fantastical hero comedy, The Chronicles of Fortune is a story about succumbing to and triumphing over loss and grief in all its forms…” – Hyperallergic

    “…each facet of [The Chronicles of Fortune’s] publication illustrates how, when publishers, distributors, and creators are truly invested in a work, the result will be wonderful.”-Women Write About Comics

    The Chronicles Of Fortune stands as a confirmation of the misfit’s path in life. Not only is it okay to be different, it’s okay to look like a failure in the eyes of others. Who cares? Just you, you’re the only one who needs to care. And are you happy? That seems to be what Picard is asking.” – Comics Beat

    “Edith May/Fortuna’s urban adventures are reminiscent of Alice in Wonderland’s vignettes. With the appearance of Death as the ultimate foe, Picard creates a superhero with emotional resonance and a deeply empathetic story of one woman re-entering the world.” – Chicago Artist Writers

    “You should buy The Chronicles of Fortune, read it, then share it with someone you love.” – Entropy

    Here’s the Facebook invite to Share that you’re coming and invite your friends!

  • Poet Carrie McGath Reads From Her New Chapbook, Dollface: Poem-Songs 9/7

    Carrie McGath’s new chapbook, Dollface: Poem-Songs (self-published), is comprised of lyrical strains representing conversations between Surrealist artists, Hans Bellmer and Unica Zürn. After studying the work of these artists and their tumultuous love affair that ended with Zürn jumping out of the window of Bellmer’s Paris apartment, these poem-songs started to come to life for McGath. In addition to the poems that make up Dollface, collage emerged as well as an amalgam of work by Bellmer and Zürn commingled with McGath’s.

    “Dark, playful, and startling, these poems read like a lucid dream hovering at the edge of nightmare; no, not nightmare. Ecstasy. They feel their way around staircases, ribcage muscles, gray smoke, rolling pins – oh, the “hard, cold, beautiful” rolling pin. McGath invites us to the recesses wher  e bodies revise, scatter, retrograde, reify: ‘Touch,’ she writes, ‘Your hearts are hot.’ Indeed, there is much to feel, face, and reface in these irresistible pages.” –Kathleen Blackburn, Essayist and PhD in the UIC Program for Writers

    Carrie McGath’s first collection of poetry, Small Murders (New Issues Poetry and Prose, 2006) was followed by several handmade chapbooks including So Sorry to See You Go and Ward Eighty-One. Her poems have appeared in journals such as The Chariton Review, Barrow Street, The Hiram Poetry Review, Nude Bruce Review, and others. She is currently a doctoral candidate in the Program for Writers at the University of Illinois at Chicago and is at work on her second full-length poetry collection, The Luck of Anhedonia. She is also an arts contributor to Chicagoist and  resides in Chicago.

    For more info: carriemcgath.com

    Share the Facebook invite for this event!

    Thurs, Sept 7th, 7pm – Free Event

  • Erin Osmon Reads From Jason Molina: Riding with the Ghost & Hosts a Q&A with members of Songs: Ohia 6/17

    In Jason Molina: Riding with the Ghost (Rowman & Littlefield), author Erin Osmon presents an intensely researched, yet human account of the Rust Belt-born musician Jason Molina. The songwriting giant behind the bands Songs: Ohia and Magnolia Electric Co. had a knack for spinning tales, from the many personal myths he created and cultivated throughout this life, to the volumes of oblique poems and working man ballads he penned and performed. With the help of Molina’s family, friends and record label, Osmon details Molina’s trials and triumphs, from his earliest days as a trailer park kid in Lorain, Ohio, though his extensive world touring and his last days as a struggling artist addicted to alcohol. As the first authorized account of the prolific musician, Jason Molina: Riding with the Ghost provides readers with unparalleled insight into Molina’s life and the Midwest underground that supported his meteoric rise.

    “In Jason Molina: Riding with the Ghost, Erin Osmon gives us a riveting biography not only of a great musician whose work deserves to be much wider known, but a well-rounded portrait of a fascinating human being, as well as a glimpse into the creative process. It’s a ride well worth taking.”—Jim DeRogatis, co-host, Sound Opinions, author, Let It Blurt: The Life and Times of Lester Bangs

    Erin Osmon is a Chicago-based writer who covers music and culture. Her work has appeared in dozens of local and national publications like the Chicago Tribune and SPIN. She also writes liner notes for deluxe reissues of historic albums. For more info: erinosmon.com

    Saturday, June 17, 7pm – Free Event

    Invite your friends with this handy Facebook Event Invite!

    Suggested listening to The Magnolia Electric Co., the seventh regular and final album by Songs: Ohia here on Spotify here!

  • Nurse-cartoonist MK Czerwiec Reads From Taking Turns: Stories from HIV/AIDS Care Unit 371 5/25

    MK Czerwiec’s (pronounced sir-wick) new book Taking Turns (Penn State University Press) shares the story of Unit 371, a shining example of excellence in the treatment and care of patients. Unit 371 was a community for thousands of patients and families affected by HIV and AIDS and the people who cared for them. This graphic novel combines Czerwiec’s memories with the oral histories of patients, family members, and staff. It depicts life and death in the ward, the ways the unit affected and informed those who passed through it, and how many look back on their time there today. 

    Deeply personal yet made up of many voices, this history of daily life in a unique AIDS care unit is an open, honest look at suffering, grief, and hope among a community of medical professionals and patients at the heart of the epidemic

    “MK Czerwiec’s tales of her nursing work on an AIDS unit chart a remarkable episode in the history of medicine. Through the lives and deaths of individual patients, written and drawn in documentary detail, we see the power dynamic between doctor and patient begin to shift. When cure is not an option, care takes on a new meaning.”         Alison Bechdel

    Czerwiec is a leader in the field of Graphic Medicine, which examines the intersection of comics and health, illness, and care giving.  Czerwiec is a co-author of the Graphic Medicine Manifesto (Penn State University Press, 2015), which was nominated for an Eisner Award. She has also self-published three collections of comics, Comic Nurse, Comic Nurse Delivers Another Dose, and Scars, Stories, and Other Adventures.

    For more info: www.comicnurse.com 

    Here’s the Event Post for this on Facebook to tell everybody you’re coming!

    Thurs, May 25th, 7pm – Free Event

  • Damon Krukowski Reads from The New Analog, Joined by Bob Weston and Steve Albini 5/2

    Having made his name in the late 1980s as a member of the indie band Galaxie 500, Damon Krukowski has watched cultural life lurch from analog to digital. And as an artist who has weathered the transition, he has challenging, urgent questions for both creators and consumers about what we have thrown away in the process: Are our devices leaving us lost in our own headspace even as they pinpoint our location? Does the long reach of digital communication come at the sacrifice of our ability to gauge social distance? Do streaming media discourage us from listening closely? Are we hearing each other fully in this new environment? Damon Krukoswksi takes this on in The New Analog: Listening and Reconnecting in a Digital World (The New Press, April 25, 2017). He is joined at this event by musician luminaries Steve Albini (Shellac, Big Black, Electrical Audio) and Bob Weston (Shellac, Volcano Suns, Chicago Mastering Service).

    “Millions of music-lovers have acquiesced to the shiny juggernaut of digital-age technology without asking its economic and cultural price. Damon Krukowski is an incisive, passionate, and, above all, rational critic of this new realm. No nostalgic conservative, he offers a radical defense of analog craft in the face of the digital hard sell.”—Alex Ross, author of The Rest Is Noise and Listen to This

    Damon Krukowski was in the indie rock band Galaxie 500 and is currently one half of the folk-rock duo Da­mon & Naomi. He writes for music and art journals including Pitchfork, Artforum, frieze, and The Wire. He is the recipient of an Arts Writers Grant from Creative Capital/Andy Warhol Foundation, and a fellow at the Berkman Klein Center for Internetand Society at Harvard University. He has also taught writing and sound (and writing about sound) at Harvard University. He lives in Cambridge, Massachusetts. More info: dadadrummer.com, @dada_drummer on Twitter, thenewpress.com, or for publicity brivero(at)thenewpress(dot)com.

    Tuesday, May 2nd, 7pm – Free Event. Here’s the Facebook link to Share this event!

    Check out that tour poster!

  • Jillian Tamaki Launches Boundless at Quimby’s, In Conversation With Jessica Campbell 6/23

    In Jillian Tamaki’s new book Boundless (Drawn & Quarterly), Jenny becomes obsessed with a strange “mirror Facebook,” which presents an alternate, possibly better, version of herself. Helen finds her clothes growing baggy, her shoes looser, and as she drinks away to nothingness, the world around her recedes as well. The animals of the city briefly open their minds to us, and we see the world as they do. A mysterious music file surfaces on the internet and forms the basis of a utopian society—or is it a cult? Boundless is at once fantastical and realist, playfully hinting at possible transcendence: from one’s culture, one’s relationship, oneself. This collection of short stories is a showcase for the masterful blend of emotion and humor of award-winning cartoonist Jillian Tamaki.

      “Jillian Tamaki seems capable of drawing anything, in any style, and making it appear effortless. Her writing could be described in the same way, and it’s thrilling to see those twin skills of hers united in service of these daring, unpredictable, and quietly strange stories.”—Adrian Tomine, cartoonist of Killing and Dying

    Jillian Tamaki is an illustrator and cartoonist based in Toronto. She is the co-creator along with her cousin Mariko Tamaki of the graphic novel Skim, a New York Times Best Illustrated Book and a finalist for the Governor General’s Award. Their second graphic novel This One Summer earned a Governor General’s Award and a Caldecott Honor. Tamaki’s first collection of her own comics was the critically acclaimed New York Times bestseller and Eisner Award-winning, SuperMutant Magic Academy.

    This event will feature Jillian Tamaki in conversation with Jessica Campbell, the artist of Hot or Not: 20th-Century Male Artists!

    Jessica Campbell is from Victoria, British Columbia, Canada and is an enthusiast of jokes, painting and comics. She completed her MFA at the School of the Art Institute of Chicago, where she was the recipient of the Edward L. Ryerson Fellowship, and also a comics instructor. She has exhibited work in Canada, the United States, Australia, and Greece, and was selected as one of NewCity’s 2015 breakout artists. She is a member of the Chicago-based comics collective Trubble Club and has published comics with micro press Oily Comics, and contributed to Drawn & Quarterly: Twenty-Five Years of Contemporary Cartooning, Comics, and Graphic Novels.

    Invite your friends with the Facebook invite here!

    For more info:
    jilliantamaki.com/illustration
    Contact JULIA POHL-MIRANDA and SRUTI ISLAM
    publicity(at)drawnandquarterly(dot)com / 514.279.2221 ext 225

    Friday, June 23rd, 7pm. Free event!