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Category: Store Events
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Carrie McGath Reads From So Sorry to See You Go
Carrie McGath’s first collection of poems, Small Murders, was released in 2006 from New Issues Poetry and Prose. Ward-Eighty-One and The Chase are her self-published, limited-edition collections released in 2008 and 2009, respectively. Her newest self-published chapbook, So Sorry to See You Go is in a limited 50-edition run with the cover design by Bailey Romaine. The poems are inspired by Carrie’s thesis research at the Newberry Library about the presence of the circus in the Midwest. Carrie grew up in Youngstown, Ohio. Youngstown’s strange persona remains with Carrie, along with her dark Irish ancestral roots seeped in secrets, illness, and superstition. Carrie currently lives in Chicago where she is a poet, visual artist and art writer for Chicago Art Magazine She also contributes to Art:21 Blog’s “Open Enrollment” column. Her blog dollwork.org is devoted to film, literature, art, and other nooks of culture where dolls appear. She lives with her sweet and spoiled cats, Seamus and Hortense.“Juxtaposing imagery of fractured delicacy, birds’ wings, eggshells and doll’s heads, with uncompromising hardness of gun barrels and wooden chests, she captures an uncanny world where a semblance of normality veils overripe fantasies and violence.” ~~ Aisha Motiani, Milwaukee’s Shepherd Express
For more info: carriemcgath.com
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Cindy Crabb Reads From The Encyclopedia of Doris 9/3
Cindy Crabb has been writing the influential, internationally distributed, autobiographical-feminist zine Doris since the early ‘90’s. Her new book, The Encyclopedia of Doris, brings together the last 10 years of zines and a ton of new writing as well. In it, she explores subjects like consent, feminism, abortion, death, self-image, creativity, shyness, queer identity, addiction, punk and anarchism. Crabb is the editor of the zines Support and Learning Good Consent. She lives in South-East Ohio with her miniature horses, plays in the punk band Snarlas, and is a sexual abuse survivor advocate.“…zines are a space where third wave feminist theory is emerging, and many scholars don’t recognize this because they don’t read zines. They should read Doris.” –Alison Piepmeier, Author of Girl Zines: Making Media, Doing Feminism
Cindy Crabb’s work has been featured in such places as: The Utne Reader, Maximum Rock and Roll, and Cometbus. Her work has also been in such anthologies as We Don’t Need Another Wave: Dispatches from the Next Generation of Feminists; Experiencing Abortion: A Weaving of Women’s Word; and A Girls Guide to Taking Over the World: Writing From the Girl Zine Revolution. Her diaries and papers are housed at the Schlesinger Library at Radcliffe. She has spoken at colleges, libraries and community centers across the country.
For more info: dorisdorisdoris.com/
Sat, Sep 3rd, 7pm
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Christopher Boucher reads from How To Keep Your Volkswagen Alive with Adam Levin (The Instructions) 8/24
By the time Christopher Boucher reaches Chicago he will have driven nearly 3,000 miles across America in his 1972 Volkswagen Beetle, reading from How To Keep Your Volkswagen Alive, playing the novel’s theme-song on his banjo, and reading to people, roadsigns, potholes, old barns, paramedics, flowers and railroad tracks. “I see this tour as a natural extension of the book,” he says. “The novel was written in a whimsical, playful style, but it was inspired by…my father, and the sense of wonder that he instilled in me. That sense of wonder propelled every sentence in the book, and I want it to fuel the tour as well.”In How To Keep Your Volkswagen Alive Christopher Boucher has created a zany literary universe, a place where metaphors shift beneath your feet, familiar words assume new meanings, objects talk, trees attack, and time actually is money. Modeled on the cult classic 1969 hippie handbook of the same name, How To Keep Your Volkswagen Alive is an astonishing tour-de-force that calls to mind the off-kilter comedy and inspired fabulism of Richard Brautigan, Kurt Vonnegut, and George Saunders. The prose summersaults, but the book also tackles some of life’s biggest questions: How do you cope with losing a parent? What’s the secret to raising a child? How do you keep love alive? How do you get your car to start?
“Writing to save your life—and your 1971 Volkswagen—is at the heart of this wildly imaginative debut… Readers are in for a fresh, memorable ride with this inventive ‘collage of loss’”—Publishers Weekly (starred review)
“A new, exuberant novel-world. Goofiness and grief are in perfect harmony in this impressive, moving debut.”—Sam Lipsyte
Also joining the bill is Chicago author Adam Levin, author of The Instructions (McSweeney’s).

More info: mhpbooks.com vwalive.com theboucher.com mcsweeneys.net
Wed, August 24th, 7pm
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Alison Bechdel comes to Quimby's 10/8
Alison Bechdel is guest editing THE BEST AMERICAN COMICS 2011.“An insightful compilation.”—USA Today
It is widely acknowledge that comics is, by and large, a printed medium, and in the foreword of THE BEST AMERICAN COMICS 2011, series editors Jessica Abel and Matt Madden trace the evolutionary print trends of this art form – from Sunday pages and daily strips to fanzines and minicomics to a mail art movement and self-publishing faction. However, they also recognize that comics have invaded the digital medium, and many of the aforementioned DIY-ers have created a webcomics scene that parallels, yet doesn’t necessarily intersect with, the print world. In part as a reflection of this new trend, this year’s volume of THE BEST AMERICAN COMICS features a first for this series: Kate Beaton’s clever, buzz-worthy, and hilarious Hark! A Vagrant, the first included comic by an artist who emerged entirely from the webcomics scene.
Star guest editor Alison Bechdel, author of the seminal chronicle of lesbian lives and loves, Dykes To Watch Out For, and the highly-acclaimed graphic memoir Fun Home: A Family Tragicomic, continues this reflection on comics trends in her introduction. Though she originally became a cartoonist because of its alternative, underground nature far from mainstream literary and art criticism, she acknowledges – and appreciates – the incredible growth spurt and popularity boost comics have undergone in the past decade.
Submission after submission, Bechdel writes, shows how cleverly, confidently, and infectiously young comics are playing with the balance of art and language. Selections like Brendan Leach’s Pterodactyl Hunters about fictionalized 1904 New York, Chris Ware’s Jordan Lint to 65 about the complete, fictionally-realized life of Jordan Lint, and Joe Sacco’s historiography, Footnotes in Gaza don’t fit neatly into a single category. And yet, many of these pieces address a metacomic theme, commenting on their own art form in some way – David Lasky’s cheeky send-up of recent trends in the ‘graphic novel’ phenomenon and Joey Allison Sayers’ Pet Cat, which investigates the negative qualities defining the more commercial reaches of the comicsphere.
And although Bechdel questions why there’s still such a gender disparity in the field, she also lauds the fact that female cartoonists are beginning to experience a form of freedom that she hopes will extend to the art form as a whole. “Freedom from having to explain or defend ourselves. Freedom from being confined to one section of the bookstore. Even freedom—one day, maybe—from books like this one.” And it is this liberation, this ability to “look just a little beyond the horizon” that truly defines each of the pieces in THE BEST AMERICAN COMICS™ 2011 which begins, appropriately, with Gabrielle Bell’s heartfelt Manifestation.
Allison Bechdel began drawing the comic strip Dykes to Watch Out For in 1983. Dykes was syndicated in fifty alternative newspapers, translated into multiple languages, and collected into a book series with over a quarter of a million copies in print. Bechdel is also the author of the best-selling graphic memoir Fun Home: A Family Tragicomic, which was named a Best Book of the Year by Time, Entertainment Weekly, the New York Times, People, USA Today, the Los Angeles Times, the Village Voice, and the San Francisco Chronicle, among others. Her new graphic memoir, Are You My Mother?: A Comic Drama, will be published by Houghton Mifflin Harcourt in April 2012.
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David Shrigley comes to Quimby's 9/20!
David Shrigley – Live and in person! 9/20 7pm at Quimby’s
and 9/21 at Columbia College
WHAT THE HELL ARE YOU DOING? The Essential David Shrigley
“David Shrigley is probably the funniest gallery-type artist who ever lived.” -Dave Eggers
“With a casual gesture Shrigley points to that hideous shape whose name I’ve never known—and then he names it. And the name is profoundly, embarrassingly familiar. I’m laughing while frantically searching for a pen, so desperate to capture the feeling he has unearthed in me.” -Miranda July
David Shrigley is the rare artist that can comfortably walk the fine line between pop culture and high art. While he’s animated videos for musicians such as Blur and Bonny Prince Billy, his work can also be seen in world renowned museums such as MoMA and the Tate Modern, and his highly distinctive style has been on display in galleries in New York, Paris, Berlin, Melbourne, and beyond. He is also clearly a madman.
The aptly named WHAT THE HELL ARE YOU DOING: The Essential David Shrigley [W. W. Norton & Company; October 24th, 2011; $35.00 hardcover] is an outrageous compilation of his illustrations, comics, photography and sculpture. His crude drawings and unexpected compositions are at once childish and clever, and each depiction oddly sincere. They capture the morbid humor of Edward Gorey, the absurdity of a Monty Python sketch, and the peculiar perspective of a Charles Addams cartoon. In short, this beautiful, full color collection is an indispensible introduction to one of contemporary art’s most fascinating and provocative minds.
The pieces in this book are an eclectic and encompassing representation of Shirgley’s interest in the surreal. From a photograph of a hot dog (affixed with googly eyes and tucked comfortably into bed) to childlike drawings of humanity’s most grotesque members (a man drinking a goblet of blood, captioned simply with “CHEERS!”) this book is a both a celebration of condemnation of humanity’s most base urges, fears, and delights.
WHAT THE HELL ARE YOU DOING? is remarkably bold, and Shrigley leaves no topic untouched. Through colorful commentary, he explores everything from clowns to caffeine, sexuality to God, and all the delightfully inappropriate bits in between. You would be hard-pressed to find, in any other work of art, a match to Shrigley’s satirical brilliance. As Will Self points out in the introduction, “Shrigley’s photographic works suggest the refined eye of someone sent back from the future beyond the looming apocalypse, charged with assembling images that, while ostensibly of the mundane, nonetheless explain how it came to pass that humanity destroyed itself.” By turns unsettling, moving, and gut-wrenchingly funny, WHAT THE HELL ARE YOU DOING? is a revealing glimpse into an offbeat, darkly comedic, and utterly hilarious artistic mind. For more info: davidshrigley.com/
Also, click here for a hilarious animated video abut the book!
Tues, Sept 20th, 7pm here at Quimby’s Bookstore 1854 W. North Ave., Chicago
Wed, Sep 21st , 6:30pm – 9:30pm at Columbia College Chicago – Stage Two 618 S. Michigan Ave., 2nd Floor — Quimby’s will be there to sell books!
These events are co-sponsored by Quimby’s Bookstore, Columbia College and AIGA Chicago.
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Cassie J. Sneider Reads From Fine Fine Music with Dave Roche and Danny ‘Ratso’ Rathbun 7/23
FINE FINE MUSIC is a collection of stories about the other side of rock and roll and coming of age in the land that time forgot. Lake Ronkonkoma is stuck in 1981, an alcoholic blackout of unnatually tan people waxing their Camaros to Foreigner on cassette and knowing the words to every Billy Joel song whether you want to or not. From an internship making Seamonkey costumes, a childhood fear of My Buddy dolls, and a heartbreaking crush on Aerosmith, funny lady Cassie J. Sneider delivers her tales of growing up in a land of fist-pumping Snookies with the antagonistic wit of a record store clerk.
Cassie J. Sneider grew up in the murky depths of Lake Ronkonkoma, New York, a town with a haunted lake, a trailer park, and a record store. She put 240,000 miles on a Toyota Echo doing readings all over the country. Cassie J. Sneider collects 8-tracks and new friends. You can catch her on the Sister Spit 2012 national tour. For more info: cassiejsneider.blogspot.com

Dave Roche is the zinester behind such titles as On Subbing and About My Disappearance. He is a Quimby’s favorite.And now, one more name has been added! It’s Danny “Ratso” Rathbun, who writes about openly and honestly about failed relationships, drugs and depression, but always with a wink and a smile. He runs a number of tongue and cheek columns like, ‘Drunken Letters to Abstract Concepts’, ‘Copyrighted Material Used Without Permission’, and ‘Punk rock trading cards’, that have drawn comparisons to Mad Magazine. Ratso’s work has been printed in over twenty different newspapers around Virginia, including The Virginia Gazette, The Williamsburg-Yorktown Daily, and others. He is a regular contributor to Grassroots magazine, and the Commonwealth Times. He publishes the zine Don’t Tread on Me, regularly performs standup comedy and gives readings across the state of Virginia, and is currently on a nationwide tour, doing readings across the country. For more info: dtmzine.blogspot.com
Sat, July 23rd, 7pm
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Orderly Disorder: Zinester Librarians in Circulation Tour featuring the Fly Away Zine Mobile 7/6
If librarians in roving vehicles makes you think of bookmobiles parked on corners of dusty country roads, think again. Come listen to librarians read from their various zine projects when they roll into town as part of a nine-city zine-reading tour kicked off at the American Library Association’s Annual Conference in New Orleans and wrapping up at the Zine Librarian (un)Conference in Milwaukee. The Fly Away Zine Mobile, a traveling library focused on zines and other forms of DIY publishing, will be present to help spread the zine love!
Tour participants are Jenna Freedman (Lower East Side Librarian and Barnard Zine Collection); Jami Sailor (Your Secretary and Archiving the Underground); John Stevens (Dilettantes and Heartless Manipulators and Blue Floral Gusset); Celia Perez (I Dreamed I Was Assertive and Atlas of Childhood); and Debbie Rasmussen, former publisher of Bitch: Feminist Response to Popular Culture, with her latest project the Fly Away Zine Mobile.
Wed, July 6th, 7pm
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Off-Site Event: The Return of the Geek @ Words That Kill 6/16
Every year Words That Kill celebrates everything nerdy and geeky through literary, visual and performance arts. In the past, this meant love letters to Mr. Spock, comedy sketches about surviving zombie apocalypse, and poetry about inner Jedi and addiction to video games, amongst others.This month the Geek is back once again and he has planned an even more mind-boggling extravaganza with features by The Former Fat Boys (Mixtape release party), The Great Luke Ski and art installation by Rotofugi, John Campbell (Pictures For Sad Children), and many more artists and performers.
Lethal Poetry Presents W O R D S T H A T K I L L – a comedy / poetry series & omni-slam featuring local, national touring, and award winning comedians and poets.
Return Of the Geek on Thursday, June 16th and W O R D S T H A T K I L L every 3rd Thursday
@ creative lounge CHICAGO (1564 N. Damen Ave 3rd Fl., Wicker Park)
Doors / Sign-up 7 PM
7:00 – Open Mic (geeks only please this month)
8:00 – Show
ALL AGES
Admission: $5 or FREE with canned goods donation.Featured Performers:
The Former Fat Boys: are the creators of YouTube sensation “I’m a Dinosaurus” and “Nerdapalooza.” Their sound resembles that totally pumped up noise you make when you’re watching the original Power Rangers and Tommy the Green Ranger blows his knife flute and the Dragonzord comes up and you just know there’s some ass that is about to be kicked, so you jump out of your seat and punch the wall and scream! Since they understand that they are continually awesome and timeless they call their genre: Shatnercore. The group will be releasing a mixtape called, “Wanna Buy Beats” – the idea spawned from all of the spam on MySpace, Twitter and Facebook to buy beats. So they bought a bunch and created an album.
The Great Luke Ski: is the 21st century Weird Al Yankovich, but with better hair and no mustache! At Dragon*Con 2004, Dr. Demento declared “the great Luke Ski” to be his program’s “Most Requested Artist of the 21st Century”. Since then, he’s held that title by having songs on “Dr. Demento Show’s” annual year-end “Funny 25” countdown of his most requested songs for nine years running, two of which ranked #1 (“Peter Parker” 2002, “Stealing Like A Hobbit” 2003), & two ranked #2 (“You Don’t Know Jack” 2006, “Too Much Stuff” 2009). His song parodies, originals, and sketches about pop culture make him a popular act at sci-fi and geek conventions nationwide. In his 9 albums and 1 DVD release he’s covered: Lord of The Rings, Star Wars Star Trek, Battlestar Gelactica, Anime, Marvel, Spider-Man, and much much more!
John Campbell: is best known for a popular web comic Pictures For Sad Children, but he is no stranger to gallery art. His work is satirical by nature and his humor has been described as “…mostly dark, incorporating elements of magic realism…” Campbell, began his work in 2007 while he lived in Zacatecas, Mexico, but has since moved to Chicago, released a book of the first 200 comics and continues to exhibit his gallery work with great success.
Rotofugi Artists: Rotofugi is a fantastically geeky store notable for carrying a culture of toys whose origins trace back to China and Japan. Established in 2004 by husband and wife Kirby and Whitney Kerr, the store is a staple destination for geeks and nerds of Chicago. The store runs a gallery that will be exhibiting work from various artists that they represent (including Shawnimals and Squibbles Ink)
That Juggling Guy aka Brad French: will make his second appearance at Words That Kill. A juggler and comedian, Brad is known to wonder off into ontological and existential discourses while trying to keep several objects in the air.
Corey Arcangel is a digital artist from Brooklyn, NY. His work is concerned with the relationship between technology and culture, and media appropriation. He uses many different media including drawing, sculpture, video, and photographs but is best known for his video game ROM hacks.
DJ Limbs: Nerdcore and Top Geek 40’s all night!
Additional visual artists include: Seamus P Burke (of web comic Oh Goodie!) and Sara Brumlick (of Dikkers Animation)
Hosted by Lethal Poetry’s President Mojdeh Stoakley as William Shatner!
__________________________________________________________Words That Kill has been repeatedly selected for Metromix’s “Best Bets” column, written about in Sun-Times, and reviewed in NewCity. Our past performers include such distinguished comedians and poets as Marc Kelly Smith, Javon Johnson, Cameron Esposito, Marty McConnell, Michael Lebovitz, Chad Briggs, Robbie Q. Telfer, Brian Babylon, Shannon Matesky, Avery R. Young and others!
Lethal Poetry is an arts/entertainment company and label built to support non-profits through the arts. LP produces interdisciplinary art exhibitions, music, comedy & poetry events, and seeks to utilize arts & entertainment as means to provide public service.









