Tag: comix

  • Off-Site: Saturday Strip: Comic Day MCA

    bubblehead_MCAwhite-575x356

     

    Quimby’s is proud to co-sponsor Saturday Strip:

    Comic Day at the Museum of Contemporary Art Chicago.

    July 27, 2013, 10am – 5pm

    On Saturday, July 27th the Museum of Contemporary Art Chicago will be showcasing all that is amazing in the world of independent comics, cartoons, and animation in Chicago. This all day event will include a series of workshops, talks, screenings and performances that will take place throughout the museum. Highlights include a pop-up comic fair co-presented with Quimby’s Bookstore, an Eyeworks Festival of Experimental Animation film program, Chicago’s Second City performing comics-themed improv, a mini-comics demonstration by Jeff Brown, a large-scale interactive jam comic by Trubble Club, Ezra Clayton Daniels’s Comic Art Battle, and a live shadow puppet performance by Manual Cinema.

    This event is in tandem and inspired by the exhibit Modern Cartoonist: The Art of Daniel Clowes, hanging at the MCA Jun 29–Oct 13, 2013. Clowes is known for his his seminal comic-book series Eightball, as well as cover art for the New Yorker. Clowes is now well known to a wide audience following the 2001 film adaptation of Ghost World and the 2006 release of Art School Confidential, written by Clowes. In recent years, Clowes has realized the widely praised graphic novel Wilson (2010) and a serialized comic for the New York Times Magazine, a “middle-aged romance” titled Mister Wonderful, collected in an expanded hardcover edition in 2011.Clowes_Eightball18cover

    Please note this event IS NOT at Quimby’s. It is at the MCA, at  220 E Chicago Ave, Chicago, IL 60611 (312) 280-2660.

  • Ivan Brunetti, Lilli Carré, Paul Hornschemeier, Paul Nudd and Onsmith Sign “BLACK EYE 1” on 6/24/11

    This signing is occasioned by the publication of “BLACK EYE 1: Graphic Transmissions to Cause Ocular Hypertension,” a new anthology that collects original narrative comics, art and essays by 41 international artists and writers, all focused on the expression of black, dark or absurdist humor. With comics and art by Stéphane Blanquet, Ivan Brunetti, Lilli Carré, Max Clotfelter, Al Columbia, Ludovic Debeurme, Olivier Deprez, Nikki DeSautelle, Brecht Evens, Andy Gabrysiak, Robert Goodin, Dav Guedin, Gnot Guedin, Glenn Head, Danny Hellman, Paul Hornschemeier, Ian Huebert, Kaz, Michael Kupperman, Mats!?, Fanny Michaëlis, James Moore, Tom Neely, Mark Newgarden, Paul Nudd, Onsmith, Emelie Östergren, Paul Paetzel, David Paleo, Martin Rowson, Olivier Schrauwen, Stephen Schudlich, Robert Sikoryak, Ryan Standfest, Brecht Vandenbroucke, Wouter Vanhaelemeesch and Jon Vermilyea. Original essays by Jeet Heer (on S. Clay Wilson), Bob Levin (on “The Adventures of Phoebe Zeit-Geist”), Ken Parille (on Steve Ditko) and Ryan Standfest (on Al Feldstein and EC). Also includes the text “100 Good Reasons to Kill Myself Right Now,” by Roland Topor, translated into English for the first time by Edward Gauvin. Edited by Ryan Standfest.

    This event is an opportunity to bring together five of the contributing artists who are based in Chicago:

    IVAN BRUNETTI edited An Anthology of Graphic Fiction: Cartoon and True Stories, Vols. 1 & 2, and is the author of Misery Loves Comedy (2007), and Schizo #4 (2006), Cartooning: Philosophy and Practice (2011, Yale University Press).

    LILLI CARRÉ is the author of Nine Ways to Disappear (2009, Little Otsu), The Fir Tree (2009, HarperCollins), and The Lagoon (2008, Fantagraphics Books). lillicarre.com

    PAUL HORNSCHEMEIER’s books include Forlorn Funnies Volume 1 (2011, Fantagraphics), Life With Mr. Dangerous (2011, Villard), The Three Paradoxes (2006, Fantagraphics Books), Mother, Come Home (2004, Dark Horse), and the collections All and Sundry (2009, Fantagraphics) and Let Us Be Perfectly Clear (2006, Fantagraphics). blog.forlornfunnies.com

    PAUL NUDD has exhibited at Western Exhibitions and Hyde Park Art Center in Chicago, Jack the Pelican Presents, NYC, and in Seeing is a Kind of Thinking: A Jim Nutt Companion, at the Chicago Museum of Contemporary Art. He edits and publishes the art zine Corpus Corpus. http://www.westernexhibitions.com/nudd/index.html

    ONSMITH has contributed to An Anthology of Graphic Fiction, Cartoons & Stories Volumes 1 and 2 (edited by Ivan Brunetti), Corpus Corpus (edited by Paul Nudd), and Hotwire Comics (edited by Glenn Head).onsmithcomics.blogspot.com

    Copies of “BLACK EYE 1” will be available for purchase, as well as a limited edition letterpress print by Onsmith + Nudd.

    For more information on “BLACK EYE” visit http://rotlandpress.wordpress.com/

     

    Friday, June 24th, 7pm


  • Chock Full of Chick

    Hallelujah! We got new tracts by Jack T. Chick in today. If those tiny nuggets of salvation are too light a meal for your heavenly appetite, consider the Crusader’s Comics series; we have all 18 volumes! Amen!

  • Grant Reynolds Signs Comic Diorama

    Grant Reynolds has been making and self-publishing comics for the better part of his life. By the time you see him at this event he will have turned thirty years old only a few weeks prior. You might wanna wish him a happy birthday (belated) when you see him sitting at the table signing copies of his new book published by Top Shelf entitled Comic Diorama, or even ask how his summer was. If you’re thinking to yourself, “Grant Reynolds, where have I heard that name before?” …well, it might have been from The Skeleton News or Trubble Club, or you may have read one of his books, like Smaller Parts or To the Mouth of the Source…or maybe you both just talked about movies in someone’s kitchen at a party. In any case, if he owes you money, never returned that book he borrowed, or you’ve just got some personal score you’ve been waiting to settle, you’ll know where to find him on October 6th at 7pm.

    “Chicagoan mini-comics mastermind.”  — Al Burian, Burn Collector

    For more info: http://www.myspace.com/grantreynolds

  • PUNCHBUGGY BOOK TOUR 2009

    Don’t miss this comics extravaganza, featuring Liz Baillie, MK Reed and Ken Dahl!

    PunchbuggyWeb
    Join acclaimed cartoonists Liz Baillie (My Brain Hurts, Freewheel), MK Reed (Cross Country, Americus) and Ken Dahl (Welcome to the Dahl House, Monsters) as they each celebrate the debut of new graphic novels! All three will be reading selections from their latest works and will be available after the event to sign books, babies, and body parts.

    For more info: www.punchbuggytour.com

  • Quimby’s welcomes James Danky, co-author and co-curator of Underground Classics: The Transformation of Comics Into Comix

    The impact of American underground comix is profound: They galvanized artists both domestically and abroad; they forever changed the economics of comic book publishing; and they influenced generations of cartoonists, including their predecessors. While the works of Robert Crumb and Art Spiegelman are well-known via the New Yorker, Maus, and retrospective collections, the art of their contemporaries such as Gilbert Shelton, Trina Robbins, Justin Green, Kim Deitch, S. Clay Wilson, and many other seminal cartoonists who came of age in the 1960s is considerably less known.

    Underground Classics (Abrams) provides the first serious survey of underground comix as art, turning the spotlight on these influential and largely underappreciated artists. Essays from the book’s co-writers and co-curators James Danky and Denis Kitchen, alongside essays by Paul Buhle, Patrick Rosenkranz, Jay Lynch, and Trina Robbins, offer a thorough reflection and appraisal of the underground movement. Over 125 original drawings, paintings, sculptures, and artifacts are featured, loaned from private collections and the artists themselves, making Underground Classics indispensable for the serious-minded comics fan and for the casual reader alike.

    James Danky is the author/editor of dozens of books on topics as varied as African-American newspapers, women’s publications, and the Native American press. In 1974 he published his first book, Undergrounds, a bibliography of alternative newspapers. He is on the faculty of the School of Journalism and Mass Communication at the University of Wisconsin-Madison, where he also founded and directed the Center for the History of Print Culture in Modern America. In 2007 Danky retired from the Wisconsin Historical Society after building their nationally renowned collections for thirty-five years. He lives in Madison, Wisconsin.